Guitar Interactive mag – June 2022

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“Hit’n’Mix scoff at the laws of audio engineering, and have just produced a piece of software that can “un-bake” the cake: RipX.”

“It’s available as two versions: the super-pro DeepAudio that allows you an absolutely insane level of audio tinkering, and the more musician-friendly – DeepRemix.”

“RipX DeepRemix is an immensely powerful piece of software that promises big things, and delivers on them all. If you’re a remixer, a producer, a musician who gigs with backing tracks, or even just a guitar player who wants to learn songs by isolating guitar parts, you can file RipX under “must-have“.

“Ever wondered what Metallica would sound like if they were all playing Oberheim synths? RipX is here, egging you on to try.

“Honestly, it feels a bit like witchcraft.”

Read The Full Review Learn About RipX DeepRemix Learn About RipX DeepAudio

3 thoughts on “Guitar Interactive mag – June 2022

  1. Jim Beasley says:

    It would be quite interesting if you would add a “hum” layer, Martin.
    This might become competitive in the noise reduction, film editing realm, if you introduced a few tools. A few tools I’m using are Brusfri (Klevgrand), RX10 (iZotope), and Clarity vs Pro (Waves). RX10 (I don’t own this latest version) is $299 per my shopping cart on their site. I imagine that some of this work has already been done by you or your team (serious detection of non-pitched, non-note material); but since I’m just now exploring Deep Remix and haven’t purchased other products, I don’t know if Deep Audio currently has ways to isolate and separate or remove noise, or unwanted artifacts. Deep Remix does a fairly good job on its own, but its possible Deep Audio could be a good fit for me already.

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  2. basketball stars says:

    If you added a few tools, this might start to compete in the noise reduction and film editing space. I’m using Brusfri (Klevgrand), RX10 (iZotope), and Clarity versus Pro among other programs (Waves). RX10 costs $299 according to my shopping cart on their website (I don’t own this most recent version). I suppose that some of this work (serious detection of non-pitched, non-note material) has already been completed by you or your team, but since I’ve only recently started using Deep Remix and haven’t bought any other products, I’m unsure of Deep Audio’s current ability to isolate, separate, or eliminate noise or unwanted artifacts. Although Deep Remix performs admirably on its own, Deep Audio may already be a nice match for me.

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