Computer Music – June 2021
“Surprisingly decent extraction tool, but then turns into a highly creative audio editor, remix and mashup application.” “Easy to use extraction software. Good results with vocals – fewer artefacts than
Reviews
RecordingStudio9.com – June 2021
“I can take stereo mixes from local bands, enhance them, re-record vocals for better performance, change the bass guitar or lead guitars. I get new jobs and new customers!” “Maybe
Gear Gods – June 2021
“That is wizard magic!” “This has got to be the greatest tool ever for learning songs!” “That’s bonkers! I just made a karaoke track of my own song!” “I’m pretty
DTM Japan – June 2021
[Translated from Japanese] “Hit’n’Mix Infinity, a magical audio editor, has been completely redesigned. RipX DeepAudio and DeepRemix change the common sense of DTM.” “A completely new audio editor that appeared
DJ TechTools – June 2021
“Sits at a price reachable for all levels of musicians“ “In short: you can pick and choose track layers you’d like to integrate into your DJ set, pull them with
Music Repo – June 2021
“This software is really good fun to play with and has the ability to instantly mute parts and extract bits. It’s so easy and no real skill is required which
Mix Online – May 2021
Product of the Week: Hit’n’Mix RipX: DeepAudio “Audio separation and processing tool ‘Rips’ audio into layers that isolate elements such as drums, bass, voice or percussion, then adds level control,
Music Radar – May 2021
“Break your tracks apart at the click of a button.“ “Designed to be easy to use, this enables you to split your mixed MP3 and other files into separate tracks
Sound On Sound mag – May 2021
“New RipX version boasts new features, faster operation.“ “Significantly improved audio separation compared with previous versions.” “RipX performs its audio alchemy of isolating individual instruments within a stereo mix using
PresentDayProduction – May 2021
“You could quite easily perform some creative professional remixes with it, worthy of release” “It’s aiding creativity, not trying to replace it” “The Harmonic Editor is absolutely fantastic” “This is
DTM Japan – Dec 2020
[Translated from Japanese] “Magic audio that overturns common sense that ordinary audio data such as 2 mixed CDs can be disassembled and displayed like MIDI data, and the contents of
Resolution mag Interview – Nov 2020
“Today, the most common method of transporting audio to a listener’s device is as a compressed waveform — the raw data that describes the air vibrations produced by an instrument
Future Music – Nov 2020
“A powerful, hugely well-equipped tool for getting creative with audio.“ “It’s neatly organised so it’s usually simple to find the tools you need.“ “In almost all cases, edits work well
Sonicscoop – Oct 2020
“My favorite part about this software is that it’s relatively easy to learn how to use, and it provides you with access to some incredibly powerful audio editing capabilities. Within
Bonedo mag Germany – Oct 2020
“For a long time now, Infinity 4.7 has been a tool in the audio sector that actually leaves your mouth open at some points“ “What is offered here can already
Production Expert – Oct 2020
“Hit’n’Mix’s audio software first appeared almost a decade ago. From its inception, it has grown both in terms of features and in sound quality.” “The evolution of Infinity 4.7 has
MusicTech mag – Sep 2020
“It’s undeniably impressive, and not just conceptually: the level of accuracy when detailing specific parts or voice leading is staggering.” “It’s all clean, concise, and a cut above similar instances
Estrada i Studio mag Poland – Sep 2020
“Versatile use“ “Almost unlimited possibilities in spectral editing” “Multiple layers/tracks with tonal and non-tonal components” “Effects and tools based on editable Python scripts” “Immediate availability of compositing and resampling tools”
Computer Music mag – Sep 2020
“From a creative perspective [the Note Editor] it’s hugely powerful.” “All told, Infinity is a very powerful application.” “It offers the sort of depth that appeals to audio creatives, and
Computer Music mag Interview – Jul 2020
“At Hit’n’Mix, we describe the fundamental building blocks of sound as atoms – slices of audio information such as amplitude, frequency, phase and stereo panning, which are grouped by Hit’n’Mix
