“From a creative perspective [the Note Editor] it’s hugely powerful.”“All told, Infinity is a very powerful application.”“It offers the sort of depth that appeals to audio creatives, and the fact

Continue readingComputer Music UK – September 2020

“At Hit’n’Mix, we describe the fundamental building blocks of sound as atoms – slices of audio information such as amplitude, frequency, phase and stereo panning, which are grouped by Hit’n’Mix

Continue readingComputer Music UK Interview – July 2020

“Hit’n’Mix Infinity, it allows you to separate parts from the two mixes and edit the pitch and timing of each part on the piano roll, is released. Each separated parts

Continue readingSound & Recording Magazine Japan – June 2020

“Hit’n’Mix Infinity is almost like the audiophile counterpart to Photoshop – a creative tool that offers much more than just traditional editing.” Read the full review (in German) HERE

“Hit’n’Mix Infinity is an incredible audio editor that breaks the mould, allowing you to view ordinary audio data as if it were MIDI data, and edit the content of the

Continue readingDTM Japan – May 2020

“Infinity 4.5 now offers the ability to rip and export video and MIDI files, import and paint your own samples into rips via the Instrument Palette, auto-detect and set BPMs,

Continue readingResolution Magazine UK – April 2020

“For so long we have been editing audio in a particular fashion, one of editing waveforms and analysing frequency spectrums. If you are a producer, sound designer or remixer who

Continue readingMusic Radar UK – April 2020

“[Hit’n’Mix] Infinity’s ability to pull out individual instruments within mixed music is extraordinary.” Read the full review HERE