Music Radar – May 2021
“Break your tracks apart at the click of a button.“ “Designed to be easy to use, this enables you to split your mixed MP3 and other files into separate tracks
What the Press Say
Sound On Sound mag – May 2021
“New RipX version boasts new features, faster operation.“ “Significantly improved audio separation compared with previous versions.” “RipX performs its audio alchemy of isolating individual instruments within a stereo mix using
DTM Japan – Dec 2020
[Translated from Japanese] “Magic audio that overturns common sense that ordinary audio data such as 2 mixed CDs can be disassembled and displayed like MIDI data, and the contents of
Resolution mag Interview – Nov 2020
“Today, the most common method of transporting audio to a listener’s device is as a compressed waveform — the raw data that describes the air vibrations produced by an instrument
Future Music mag – Nov 2020
“A powerful, hugely well-equipped tool for getting creative with audio.“ “It’s neatly organised so it’s usually simple to find the tools you need.“ “In almost all cases, edits work well
Sonicscoop – Oct 2020
“My favorite part about this software is that it’s relatively easy to learn how to use, and it provides you with access to some incredibly powerful audio editing capabilities. Within
Bonedo mag Germany – Oct 2020
“For a long time now, Infinity 4.7 has been a tool in the audio sector that actually leaves your mouth open at some points“ “What is offered here can already
Production Expert – Oct 2020
“Hit’n’Mix’s audio software first appeared almost a decade ago. From its inception, it has grown both in terms of features and in sound quality.” “The evolution of Infinity 4.7 has
MusicTech mag – Sep 2020
“It’s undeniably impressive, and not just conceptually: the level of accuracy when detailing specific parts or voice leading is staggering.” “It’s all clean, concise, and a cut above similar instances
Estrada i Studio mag Poland – Sep 2020
“Versatile use“ “Almost unlimited possibilities in spectral editing” “Multiple layers/tracks with tonal and non-tonal components” “Effects and tools based on editable Python scripts” “Immediate availability of compositing and resampling tools”
Computer Music mag – Sep 2020
“From a creative perspective [the Note Editor] it’s hugely powerful.” “All told, Infinity is a very powerful application.” “It offers the sort of depth that appeals to audio creatives, and
Computer Music mag Interview – Jul 2020
“At Hit’n’Mix, we describe the fundamental building blocks of sound as atoms – slices of audio information such as amplitude, frequency, phase and stereo panning, which are grouped by Hit’n’Mix
Sound & Recording mag Japan – June 2020
“Hit’n’Mix Infinity, it allows you to separate parts from the two mixes and edit the pitch and timing of each part on the piano roll, is released. Each separated parts
DTM Japan – May 2020
“Hit’n’Mix Infinity is an incredible audio editor that breaks the mould, allowing you to view ordinary audio data as if it were MIDI data, and edit the content of the
Resolution mag – Apr 2020
“Infinity 4.5 now offers the ability to rip and export video and MIDI files, import and paint your own samples into rips via the Instrument Palette, auto-detect and set BPMs,
Music Radar – Apr 2020
“For so long we have been editing audio in a particular fashion, one of editing waveforms and analysing frequency spectrums. If you are a producer, sound designer or remixer who
Sound On Sound mag – Jan 2020
“[Hit’n’Mix] Infinity’s ability to pull out individual instruments within mixed music is extraordinary.” “Incredibly detailed, versatile and unlike anything else out there“ “No ordinary audio editor, but one that allows
BBC News – Feb 2011
“A music technology firm in south-east London has developed a system for breaking music into its component parts. Hit ‘n’ Mix converts audio files into a proprietary .rip format.” “It